To build a major 7th arpeggio we simply take any of the 5 CAGED arpeggio patterns used above and add a 7th scale degree. To build a minor 7th arpeggio we simply flatten the 3rd and 7th scale degrees as per the formula in the table above. So, start the arpeggio pattern on the 10th fret of the A string (G). If you are new to the concept of scales or arpeggios it’s also important to remember, that we always start on the lowest root note (G). The example below is in the key of G (G, B, D) but keep in mind we are learning the moveable pattern. The notes that make up a major chord are the root, 3rd, and 5th scale degrees of the major scale. if moving the entire pattern up two semitones (2 frets) we would be in the key of A. Keep in mind, like scales, we play arpeggios as shapes or patterns, meaning they can be moved around the neck to play in different keys, taking advantage of our knowledge of the CAGED system.īelow are examples of arpeggios using the 5 Major CAGED Shapes.Įach example is in the key of G, but keep in mind, that the key itself is far, far less important than the pattern or shape used, as the pattern can be moved higher or lower on the fretboard e.g. C# is the major third of the scale and can therefore be played after the root but before the 5th allowing the notes to be assembled in order of pitch. * If you are a little rusty on reading scale charts click here for a complete tutorial.įor example, we now have an additional C# available at the 9th fret on both the 1st and 6th strings. I’ve numbered the different scale degrees, starting on the lowest root note found on the 3rd fret of the 5th string and ascending in pitch. Take the fretboard diagram below, which shows a C Major scale in the 2nd position (using an A pattern). An A minor arpeggio includes the notes A, C, and E as we have lowered C♯ by a semitone. For example, an A major arpeggio consists of the notes A, C♯, and E. the 2nd scale degree of the major scale, it is one semitone lower. *Note, a flattened third is not simply one scale degree lower than the 3rd scale degree e.g. ♭3 means the note is one semitone lower than the 3rd degree of the major scale, and of course, the ♯ symbol indicates the note is one semitone higher. a note a semitone lower than the third scale degree (major third) of the major scale), and the 5th scale degree (perfect 5th) of the major scale.īelow are the chord formulas we’ll be taking a closer look at in this guide, including major and minor and 7th chord arpeggios.įor those unfamiliar, a♭symbol indicates the note is one semitone lower than the scale degree e.g. a major triad utilizes the root (1st), 3rd, and 5th notes of the accompanying scale.Īlternatively, a minor triad includes the root, a flattened third (e.g. To take full advantage of CAGED arpeggios we just need to know the formula a specific chord is built from e.g. And, like CAGED chords and scales, we can play arpeggios in many different positions on the neck and many different keys, simply using the 5 shapes that make up the CAGED system: C, A, G, E, and D. It can help to think of arpeggios as modified scales, or scales with some of the notes removed. The additional notes included in a scale ( Nonharmonic Tones), while important are less stable and often used as passing notes.Īs a result, an understanding of the theory behind arpeggios is useful for developing melodic lines that resolve musically, specific to the chords of a chord progression, rather than the entire progression as you will usually find in the case of playing a minor pentatonic scale for example over a blues chord progression. the notes that arpeggios are built from sound stable and melodic, implying the chord, and making them a vital tool for improvisation. Why Should Guitarists Learn CAGED Arpeggios?Ĭhord tones, e.g. If you are looking for an introduction to the CAGED system click here. This article is part of a longer series on the CAGED system. Taking advantage of the CAGED system allows guitarists to play arpeggios using the 5 CAGED patterns across the neck. If playing a Cmaj7 arpeggio, we’d include the 1st, 3rd, 5th, and 7th degrees of the major scale (C, E, G, B). the notes chords are built from played in order of pitch. We’ll get started with a quick summary before we get into more detail, including arpeggio diagrams, tab, and more.Īrpeggios consist of chord tones e.g. By taking advantage of the CAGED system, we can utilize any one of the 5 patterns of the CAGED system to play arpeggios in many different positions on the fretboard. With this in mind, today, we’re going to take a closer look at CAGED arpeggios. Learning and practicing arpeggios can help develop dexterity, improve improvisation skills and help with understanding and unlocking the fretboard, in short, arpeggios are hugely useful both musically and in terms of music theory.
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